The pure world is aswirl in “Life of Pi,” a marvelously creative stage adaptation of Yann Martel’s 2002 Booker Prize-winning novel. This pageant of puppetry features a flutter of butterflies, a goat with a plaintive bleat, a menagerie of untamed animals and, at one level, a faculty of glowing fish.

Relatively than attempt to compete with the technological thrills of the 2012 movie that earned director Ang Lee an Academy Award, this nationwide tour of “Life of Pi” succeeds by way of magical simplicity. My senses have been dazzled after I first noticed the present on Broadway in 2023, however my coronary heart was fully received over on the Ahmanson Theatre, the place this manufacturing opened on Wednesday.

Taha Mandviwala, left, Anna Leigh Gortner, Shiloh Goodin and Toussaint Jeanlouis within the nationwide tour of Lifetime of Pi” on the Ahmanson.

(Evan Zimmerman)

The story revolves across the survival at sea of a 17-year-old boy named Pi Patel (a mesmerizing Taha Mandviwala) after the Japanese cargo ship transporting his household sinks en path to Canada. The souls misplaced on board embrace Pi’s zookeeper father’s fantastical assortment of animals. In a lifeboat with barely any provides for 227 days, Pi someway manages to flee the destiny that leaves his mother and father, sister and most (however not all) of his bestial companions on the backside of the Pacific Ocean.

How did he pull off the miracle? That’s the query posed at first of Lolita Chakrabarti’s adaptation by two guests to Pi’s hospital room: Mr. Okamoto (Alan Ariano) from the Japanese Ministry of Transport and Lulu Chen (Mi Kang), from the Canadian Embassy, each of whom have traveled to Mexico, the place the boy was washed ashore.

Pi, whose mathematical title is derived from Piscine, the French phrase for swimming pool, is recovering from his near-death journey. Mr. Okamoto, charged with getting ready an official report, is set to seek out out the precise circumstances of the shipwreck. However Pi is barely in a position to relate the fanciful model of occasions that allowed him to outlive for thus lengthy at sea with out meals or drinkable water.

Taha Mandviwala,left, and Sorab Wadia and the nationwide tour forged of “Life of Pi” on the Ahmanson.

(Evan Zimmerman)

The staging transitions in dreamlike vogue from the hospital to Pondicherry, India, the place Pi grew up in a contented, hectic ferment of adolescence. Chakrabarti turns Pi’s teasing older brother, Ravi, within the novel into an older sister named Rani (Sharayu Mahale), a math whiz, within the play. The institutional medical setting turns into the background for a story that doesn’t finely distinguish between reminiscence and creativeness, one realm bleeding freely into the subsequent.

Thankfully, the scenic design of Tim Hatley, who additionally did the costumes, isn’t sure by the normal legal guidelines of physics. The peerlessly adjudged video and animation design of Andrzej Goulding, the magnificent lighting of Tim Lutkin and Tim Deiling and the propulsive sound of Carolyn Downing places time and house beneath the in a position command of director Max Webster.

Pi’s household is transferring to flee an more and more chaotic society. “This government shows us bad behavior has no consequences,” Pi’s father (Sorab Wadia) laments to his spouse (Jessica Angleskhan), in a line that lands in another way at this time than it did two years in the past on Broadway.

Pragun Bhardwaj, left, Taha Mandviwala and the nationwide tour forged of “Life of Pi” on the Ahmanson.

(Evan Zimmerman)

When the chance to relocate to Canada arrives, the selection is clear however no much less painful for being so. The animals, having nobody else to look after them, must to migrate too, remodeling the cargo vessel right into a modern-day Noah’s Ark.

An orangutan named Orange Juice, a hyena past the attain of human feeling and, crucially, a royal Bengal tiger with an imperious mien named Richard Parker have distinguished roles in Pi’s recollection of his harrowing voyage after the shipwreck. These animals, the creation of impressed puppet designer Nick Barnes and Finn Caldwell, are fluidly deployed by a group of sleek puppeteers, who protect the important dignity of those creatures with out effacing their ferocity.

The sight of Richard Parker, a growling behemoth of musculature and whiskers, is essentially the most fearsome. Pi, who feels at one with the pure world, needs to be taught to be afraid of a creature that might finish his life with a single swipe of his claw. (The tough lesson, administered by his father, reaffirms Lord Tennyson’s picture of nature as “red in tooth and claw.”)

Taha Mandviwala and the nationwide tour forged of “Life of Pi.”

(Evan Zimmerman)

Though raised Hindu, Pi partakes of non secular providers from many sects. His mom is bemused to listen to that her son attended mosque, temple and church on the identical day. There’s a holy idiot high quality to the boy, who’s the topic of teasing. However Pi is precociously enlightened, his innocence not an issue to be rectified however a high quality to be reverenced.

In New York, Chakrabarti’s guide struck me as clumsy in locations, significantly within the first act. However I had no such misgiving on the Ahmanson, whether or not due to some slight modifying or maybe only a smoother dealing with of the setup moments.

Some would possibly resist the work’s non secular earnestness, however I’d say it’s a great time to think about extra deeply our perception system. If “Life of Pi” has an ethical to impart, it’s that what we select to imagine has as profound an impact on our expertise of actuality as what we rationally know to be true.

Puppeteers Anna Leigh Gortner, Shiloh Goodin and Toussaint Jeanlouis within the nationwide tour of “Life of Pi” on the Ahmanson.

(Evan Zimmerman)

The play, following the novel’s lead, is a parable of overcoming. Pi confronts tragedy however refuses to lose what offers his life which means. He makes sacrifices that he by no means thought he’d must make. A religious vegetarian, he’s pressured to seize and kill a swimming turtle, then share the meat and blood with Richard Parker, a carnivore with out conscience.

“Life of Pi” doesn’t dwell on the deaths of Pi’s family members. A cloak of magical realism is thrown over points of the story which may show too disturbing. However the inexorable information of mortality are glimpsed in the way in which the animals are depicted onstage.

As starvation overtakes Pi and Richard Parker, the tiger’s skeleton begins to name consideration to itself. The turtle is devoured earlier than our eyes in a approach that, whereas cheekily theatricalized, doesn’t depart any doubt that the value of this meal is homicide.

The nationwide tour forged of “Life of Pi” on the Ahmanson.

(Evan Zimmerman)

However the darkness of the story helps us see the shimmering great thing about the universe that retains Pi from succumbing to a watery grave. The stage transforms right into a planetarium of marvel. Are the meerkats that seem close to the top of the story actual or a hallucination? What distinction does it make when Pi sees them as clearly as he holds a dialog with Richard Parker?

When he lastly provides Mr. Okamoto a starker account of what occurred to him, a chronicle affirming his father’s long-held view that man is essentially the most harmful animal of all, the lesson of “Life of Pi” is thrown into stark reduction: Reality shouldn’t be essentially the identical factor as knowledge.

Mandviwala’s efficiency as Pi makes this journey story each exhilarating and emotionally profound. In circumnavigating distant seas, this majestic manufacturing recovers some misplaced treasure of childhood.

‘Lifetime of Pi’

LOS ANGELESWhere: Ahmanson Theatre, 135 N. Grand Ave.

When: 8 p.m. Tuesdays-Fridays, 2 and eight p.m. Saturdays, 1 and 6:30 p.m. Sundays; ends June 1

Tickets: Begin at $40.25

Contact: (213) 628-2772 or CenterTheatreGroup.org

Working time: 2 hours, 10 minutes (one intermission)

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COSTA MESA

The place: Segerstrom Corridor, Segerstrom Heart for the Arts, 600 City Heart Drive

When: 7:30 p.m. Tuesday-Fridays, 2 and seven:30 p.m. Saturdays, 1 and 6:30 p.m. Sundays, June 3-15

Tickets: Begin at $44.07

Contact: (714) 556-2787 or SCFTA.org