On the Shelf

The Nice Mann

By Kyra Davis LurieCrown: 320 pages, $28If you purchase books linked on our website, The Instances might earn a fee from Bookshop.org, whose charges assist impartial bookstores.

In 2022, Kyra Davis Lurie heard a narrative on KCRW’s “Curbed Los Angeles” in regards to the residents of South L.A.’s West Adams Heights, nicknamed Sugar Hill after a neighborhood of rich Black Harlemites. Studying in regards to the luxurious soirees Academy Award-winning actor Hattie McDaniel hosted in her Sugar Hill mansion, Lurie realized there was a hidden Black historical past ready for her to unearth. However how she created the enthralling historic novel “The Great Mann” is a narrative that owes as a lot to Lurie’s capability to reinvent herself because it does to F. Scott Fitzgerald’s “The Great Gatsby,” the long-lasting twentieth century critique of the American dream, which offered a touchstone for the novel.

Lurie, 52, grew up in Santa Cruz, removed from the neighborhood the place McDaniel, Louise Beavers, Ethel Waters and different striving Black actors and enterprise pioneers depicted in “The Great Mann” lived. Whereas she visited household repeatedly in L.A., Lurie stayed up north, the place she penned the light-hearted 2005 guide “Sex, Murder and a Double Latte.” She rapidly adopted it with two extra mysteries. Inspired by her success, Lurie struck out for L.A. to pursue her dream of getting right into a TV writers room. The 2007 writers’ strike deferred that objective, so Lurie pivoted to jot down three erotic novels which, she reveals, had been “critiques of capitalism wrapped in a romance novel.”

By the point she heard about Sugar Hill and its well-known inhabitants, Lurie was able to tackle a extra nuanced problem. However many literary brokers weren’t receptive to her change of style. “It was as if Marlon James had gone from writing comic books to ‘A [Brief] History of Seven Killings,’” she says, name-checking the well-known Jamaican author and his Man Booker Prize-winning novel. However as Lurie continued researching the neighborhood and its historical past, she knew she needed to inform its story, even when utilizing “The Great Gatsby” as her North Star proved problematic.

“I’m a huge Fitzgerald fan,” Lurie says, “even though there was a line in that book that always bothered me.” She’s referring to Nick Carraway’s reference to “two bucks and a girl” upon seeing three rich Black folks passing by in a white-chauffeured limousine. “While it was probably used to get a laugh in 1925, it was demeaning,” Lurie says of the scene. “In the wake of the Red Summer of 1919 [when a record number of race riots and lynchings of Black Americans occurred in the U.S.] and the destruction of Black Wall Street in the 1921 Tulsa Race Riot, Fitzgerald’s language says a lot about America’s cultural climate at the time.”

Was it subversive to make use of Fitzerald’s most well-known novel to border the story of a vibrant Black enclave whose prosperity rivaled that of Jay Gatsby and his ilk? Completely, Lurie says, including, “Through a Black reimagining of ‘The Great Gatsby,’ I tried to marry a family’s story with a little-known part of L.A. history.”

The household story is instructed via the lens of Charlie Trammell III, a World Struggle II veteran emotionally scarred by the violence he witnessed on the battlefield and at residence in Jim Crow Virginia. Charlie arrives in L.A. in search of a recent begin and to reconnect together with his cousin Margie, with whom he shares pivotal childhood experiences. However Margie, who now goes by the extra unique Marguerite, has shaken off the previous and married Terrance Lewis, a vp at Golden State Mutual Life Insurance coverage Co. The Lewises dwell with their son in Sugar Hill, together with McDaniel, Beavers and Norman O. Houston, the real-life co-founder and president of Golden State Mutual.

Quickly Charlie is swept into the world of L.A.’s rich Black elite, a mixture of actual Angelenos like John and Vada Somerville, pioneering Black dentists and founders of Central Avenue’s famed Dunbar Lodge; singers-actors Waters and Lena Horne; and fictional characters together with James Mann, the mysterious Black businessman lately arrived in Sugar Hill who hosts lavish events not like something Charlie’s ever seen: “The air is flavored with flowery perfumes and earthy cigars. All around me diamonds glitter from brown earlobes, gold watches flash against brown wrists. The only things white are the walls.”

Mann befriends Charlie, treating the lately discharged veteran to his first hand-tailored go well with and high quality wine, however quickly embroils him in his quest to reunite with Marguerite, the love of his life because the two met some 10 years earlier than after they each lived within the South.

Kyra Davis Lurie, in a brown blouse and scarf, sits with one hand on her knee and the other in her hair.

“Through a Black reimagining of ‘The Great Gatsby,’ I tried to marry a family’s story with a little-known part of L.A. history,” Kyra Davis Lurie stated.

(Yvette Roman Images)

“The Great Mann” can also be about folks reinventing themselves amid the realities and contradictions of the time. Like Black actors who performed maids however employed Black “help” in actual life. Or the controversy over the stereotypically demeaning roles Black actors depicted. Chief amongst them was Delilah Johnson, the subservient Black maid portrayed by Beavers within the 1934 movie “Imitation of Life.” It’s a debate that’s launched in “The Great Mann” when Marguerite and Terrance inform Charlie that Beavers’ residence, the place he shall be staying and which is far grander than theirs, is paid for “with Black shame.” Additionally addressed within the novel are touchier topics like White’s advocacy for the lighter-skinned Horne to get roles over her darker-skinned colleagues like McDaniel or Beavers.

However the engine that fires up the plot of “The Great Mann,” and which units it other than “Gatsby,” is the battle Black creatives and enterprise house owners confronted to carry onto their properties. A clause positioned in 1000’s of L.A. property deeds in 1902 restricted housing covenants on the time West Adams Heights and lots of different L.A. County communities had been developed, prohibiting houses from being offered to anybody “other than the white or Caucasian race.” However some white sellers offered property to Black consumers anyway, who then needed to struggle white teams — just like the West Adams Heights Enchancment Assn. — to stop eviction from their very own houses.

To say how Sugar Hill’s Black residents fared in court docket would spoil the enjoyment of this suspenseful story, which has put Lurie on a brand new path in writing historic fiction. She has one other venture percolating, however for now, she’s simply grateful to have discovered her area of interest. “It’s been a journey,” she says of the twists and turns of her writing life, “but writing about historical Black lives feels like home to me, what I was meant to do.”

Lurie shall be discussing “The Great Mann” at Vroman’s Bookstore at 7 p.m. June 10; Diesel, a Bookstore at 6:30 p.m. June 11; and Chevalier’s Books at 6:30 p.m. June 19.