Half a century after he threw a small music-industry soirée to toast Barry Manilow’s first Grammy nomination for document of the 12 months, 92-year-old Clive Davis on Saturday evening celebrated the fiftieth anniversary of what rapidly grew to become his well-known annual pre-Grammy gala.
There have been drinks. There have been speeches. And there was Manilow, nonetheless trim and impeccably coiffed at 81, performing his traditional “Mandy” as video screens lower between at this time and clips from an look he and Davis made on “The Midnight Special” in 1975.
“Can you believe Clive looked like that?” Manilow requested the group of the debonair document govt who helped shepherd him to stardom. “Can you believe I looked like that?”
Clive Davis addresses the group.
(Gina Ferazzi/Los Angeles Occasions)
Held on the Beverly Hilton forward of Sunday’s 67th Grammys ceremony, Davis’ invite-only social gathering drew a characteristically high-wattage crowd — company included Jennifer Lopez, Gladys Knight, Alicia Keys, Berry Gordy, Kenny “Babyface” Edmonds, Jack Antonoff and Davis’ previous pal Nancy Pelosi — for a night of music and tactical hobnobbing that Jimmy Kimmel likened to “Clive Davis’ bar mitzvah.”
Among the many acts who carried out at that inaugural get-together, Kimmel joked as he launched Davis: “Moses with the Bay City Rollers backing him up.”
Doechii performs.
(Gina Ferazzi/Los Angeles Occasions)
But within the wake of final month’s devastating Los Angeles wildfires, Davis stated he’d remade Saturday’s gala as a fundraiser for MusiCares, the Recording Academy’s philanthropic arm; he himself had made a “six-figure donation,” he stated, urging the deep-pocketed in the home to contribute what they might to offer aid to music professionals in want.
The evening’s leisure opened with a rock ’n’ roll supergroup — brothers Chris and Wealthy Robinson of the Black Crowes, Metallica’s Robert Trujillo, producer Andrew Watt and Chad Smith of the Pink Sizzling Chili Peppers — cranking by a medley of Led Zeppelin and Black Sabbath covers earlier than Michael Bublé took over to pay tribute to the late Quincy Jones with a swinging rendition of “Fly Me to the Moon.”
Shaboozey performs.
(Gina Ferazzi/Los Angeles Occasions)
4 of the Grammys’ eight finest new artist nominees carried out: Doechii, theater-kid exuberant in “Denial Is a River”; Teddy Swims, who growled his “Lose Control” sporting a bedazzled white swimsuit; Shaboozey, starting to tire a bit, maybe, of his inescapable “A Bar Song (Tipsy)”; and mustachioed Benson Boone, new-rock-god resplendent in a leathery jumpsuit as he laid into the excessive notes of “Beautiful Things.”
Jazz singer Samara Pleasure, who gained finest new artist on the Grammys in 2023, did Betty Carter’s “Tight,” whereas gospel star Yolanda Adams channeled Whitney Houston in a solemn however flowery tackle “I Will Always Love You.” (Davis, who signed Houston to his Arista label, nearly all the time takes a second at his social gathering to recollect the singer, who died on the Beverly Hilton in 2012 simply hours earlier than the occasion was set to start.) Publish Malone was there, too: He sang the wistful “Sunflower” — “my only good song,” per his description — in recognition of Common Music Publishing Group Chief Government Jody Gerson, who was offered with the Recording Academy’s Business Icon award.
The excessive level, because it typically is lately, was Joni Mitchell, a longtime Davis confidant, who sat onstage in a glittering throne — blond hair tucked beneath a beret, mischievous eyes hidden behind a pair of shades — and sang “Both Sides Now” and George Gershwin’s “Summertime” with a richness of tone that introduced a room filled with chatter and gossip to one thing fairly near silence.
Joni Mitchell performs.
(Gina Ferazzi/Los Angeles Occasions)
