Kou Mariya hasn’t proven her work to her household. That’s as a result of Mariya, not her actual title, resides a twin id, and to guard her privateness, solely probably the most sacred of confidants — or enterprise companions — can know her true persona.
Mariya, to her greater than 84,000 followers on YouTube, is a pleasant, flirtatious vampire singer, as excited to talk about her digitized outfits and equipment as she is to sing a late ’90s pop track. She performs as an animated avatar utilizing movement seize know-how, which matches her facial expressions and physique actions to the drawn determine.
Mariya spends a good portion of her days as this cartoon character, without delay wholly actual whereas being fully synthetic. She is knowledgeable performer, though her stage is digital. As an alternative of a glimpse right into a room or a house, her environment are totally drawn — she might be in a seashore setting in the future and an ornate workplace the subsequent.
As a VTuber — that’s, digital YouTuber — Mariya is a part of a motion, one led by these weaned on Japanese animation who at the moment are discovering methods to make fantasy world-building really feel individualized and private. We join by way of video conferencing software program, her location within the U.S. a secret, and Mariya seems in her anime type, her silver-white hair often obscuring her welcoming oval eyes, which blink typically as she speaks. Her voice is pleasant and heat, and it ever-so-slightly dips into an higher register when she laughs or wants to emphasise a degree. She nervously chuckles that she’ll be aged “so bad” when she admits the primary anime she fell in love with was “Speed Racer.” Whether or not I’m speaking to Mariya the vampire character or Mariya the performer isn’t fairly clear.
Kou Mariya, internet hosting a Thursday evening live performance in Hollywood, is a pleasant vampire VTuber.
(Kou Mariya)
This weekend Mariya can be internet hosting a live performance in Hollywood with different in style VTubers. There can be reside musicians, however the VTubers can be digital. Mariya says she’ll be acting from an off-site location to guard her id.
These in Los Angeles may have a number of alternatives to participate in a VTuber crash course over the Fourth of July vacation. Mariya on Thursday will host the Improbable Actuality live performance on the Vermont Hollywood, a efficiency that makes digital and actual musicians and options Ironmouse, a horned, operatic demon who was briefly probably the most subscribed streamer on Twitch.
Much more mainstream, a number of VTubers related to Japanese agency Hololive will invade Dodger Stadium for the second 12 months in a row. Saturday night’s Hololive Evening will function three of firm’s English-speaking abilities — Ninomae Ina’nis, IRyS and Koseki Bijou — just about cheering on the staff, singing the seventh-inning stretch after which main a post-game dance get together on the sector. A particular occasion ticket will embody enjoying playing cards of the VTubers.
Hololive, a division of Cowl Corp., is among the largest VTuber expertise companies on the earth, with nearly 90 energetic performers throughout its varied divisions. The corporate’s U.S. workplace relies in L.A., and its partnership with the Dodgers is to acknowledge, partly, that the staff has a big Japanese fanbase, because of megastar Shohei Ohtani. Cowl CEO Motoaki Tanigo, nevertheless, has a broader purpose, and that’s to additional convey VTubers to the lots.
“There are two reasons,” Tanigo says, by way of a translator, for why Cowl has focused L.A. as one in every of its key markets. The primary, he notes, is because of the truth that a big a part of the corporate’s fanbase resides within the L.A. area. The second, he stresses, pertains to his enterprise targets, particularly the online game corporations Cowl hopes to accomplice with. “Doing events in the Los Angeles area is not only important for our user engagement, but it’s a great opportunity to show to our business clients that we have a strong following.”
VTubers have averaged 50 billion YouTube views yearly over the previous three years, in keeping with a latest YouTube Tradition & Developments report. A YouTube pattern of 300 digital creators discovered that they drove 15 billion views throughout the location, with 1 billion coming from the U.S. alone. Virtually all of those VTubers are steeped deeply in anime lore, tradition and tone. And whereas there are in style male VTubers, a lot of probably the most well-known are female-facing. Cowl’s roster, as an illustration, is greater than three-quarters feminine.
Hololive characters on the Dodger Stadium scoreboard eventually 12 months’s occasion. Hololive Evening returns on July 5.
(Cowl Corp.)
“It’s very exciting,” says Susan Napier, writer of “Miyazakiworld: A Life in Art” and professor at Tufts College who makes a speciality of Japanese tradition. “It allows for an enormous amount of creativity, and a real sense of ownership over your creation, and a way of playing and melding with your creation. People have been fans and identifying with favorite stories, anime and manga for years. This is, in a way, a very old phenomena. It’s people wanting to participate in a fantasy world that they love.”
Mariya notes she determined to grow to be a VTuber in the course of the worst days of the worldwide pandemic of 2020. “Everyone was in front of their computers and had a sense of loneliness,” she says. “And VTubers [had] that sense of, ‘I’m not alone. I’m not trapped. There’s a whole world out there for me.’ Being a big fan of that, I wanted to try that myself. I did not expect to be able to make this into a career, but somehow people liked me, and I thought I could keep going with this.”
And the way, in fact, did she land on her character, a vampire with a bat clip in her hair and an open-chested cocktail server-style outfit? “That one is tricky because technically I was born a vampire,” Mariya says. “We’re not scary. We ask permission before entering doors, which is better than a lot of people. We do bite. That’s the only downside.” Proper.
We’re not scary. We ask permission earlier than coming into doorways, which is healthier than lots of people. We do chunk. That’s the one draw back.
— Kou Mariya, on being a vampire VTuber
The Japan-led VTtuber development predates the pandemic. The primary correct digital artist to realize fame is extensively credited as Kizuna AI in 2016, however VTubers have grown alongside different related developments. See, as an illustration, digital live performance artist Hatsune Miku, who carried out at Coachella in 2024. VTubers are additionally intently aligned with video video games, typically streaming them for his or her followers. The sport medium, in fact, has lengthy been related to digital avatars, be it Nintendo Mii figures, the personas of “Second Life” or as we speak’s platforms of “Fortnite,” “Roblox” and “Minecraft.” And this summer season, in one of many greatest releases of 2025, VTuber Usada Pekora has a task within the PlayStation 5 sport “Death Stranding 2,” with famed director and auteur Hideo Kojima admitting he’s a fan.
For creator, voice-over actor and Anime Expo attendee AmaLee, the uncommon VTuber who, whereas utilizing a stage title, does present her face, anime’s fantastical but mature storylines reached her as a younger teen when she was exploring her creativity. “It’s bridging a gap,” she says of VTubing. “Ever since I was a teenager I loved anime. It’s music, beautiful animation and acting all in one. VTubing brings it into the real world. You can do so much with your VTuber lore story. You’re kind of creating your own anime.”
VTuber Ironmouse will carry out on the Improbable Actuality live performance on Thursday.
(Ironmouse)
Probably the most interesting VTubers convey a stage of real-life authenticity into their work. “If you go back and watch my very first streams, I’m very cemented in this cleanly elegant actor [persona],” AmaLee says. “My voice is different. I dropped it to be cooler. I realized quickly how hard that was to keep, and I didn’t like not being authentically me. I’m a little clumsy, a little blond and I have major tech issues.”
Mariya describes herself as introvert, saying she wouldn’t be streaming — or doubtless even performing — if it weren’t for VTubing.
“With VTubing, there’s a sense of anonymity that I think is really good for the audience as well,” Mariya says. “Some people don’t want to see a physical person in front of a screen. They want to see anime girls. I think people latch onto the idea that it’s something that is different and bigger than me and bigger than them. It’s a new world.”
Final 12 months’s Hololive Evening at Dodger Stadium featured a drone present. Search for an on-field dance get together led by the VTubers this 12 months.
(Cowl Corp. )
Creator and professor Napier says it’s a contemporary, digitized Renaissance faire, if you’ll, reflecting primary human wishes to decorate up and play. As for why it simply so occurs to be so related to anime, Napier theorizes the medium fosters the concept of fantasy creation.
“Fantasy and science fiction are very popular culture artistic venues to play and to cosplay,” Napier says. “Anime is really good at presenting you with these — it’s brilliantly expansive. Whatever you’re into, you’ll find it in anime. So if you’re looking to VTube, there’s all this anime material sitting in front of you. You can pick and choose and start playing.”
The dream for the Cowl company, says Tanigo, is to broaden VTubers past the world of streaming websites resembling YouTube and Twitch — therefore, the Dodgers collaboration. In August, Hololive will stage one other U.S. live performance, this time at Radio Metropolis Musical Corridor in New York. Music, says Tanigo, is a gateway. “I believe that’s a way of reaching new people,” he says. “It’s an interesting thing to go see. There are also people who may not be interested in VTubing or anime at all, but they can listen to the song that’s released and enjoy it as a piece of music on its own.”
For the performers, with VTubing comes a way of security — and even consolation — that isn’t at all times current in additional conventional streaming.
“I did a lot of on-camera streaming in the beginning of my streaming career, but I hated having to get ready, do my makeup, wear something nice,” AmaLee says. “Even after an hour of getting ready to do a stream, someone was still [commenting], ‘You look tired today.’ I hated that. There would be days I would cancel streams because I didn’t want to get ready. Now I have my VTuber model and can be a little gremlin in my pajamas and no one has to know because Monarch is always perfect.”
An anime character, in spite of everything, is at all times able to go.
