BREGENZ, Austria — It’s Dodgers caps, L.A.-themed T-shirts and Lakers shorts on the shores of Lake Constance. What makes Los Angeles particularly cool to Bregenz teenagers as they cruise the third-largest freshwater lake in Europe, I can’t say. However one ardent 20-something salesperson instructed me that he discovered Austria to be too confining and tradition-bound, whereas he believed that there was alternative for all in L.A.
Bregenz, nevertheless, has ambitions of its personal that L.A. solely goals of. This city with a inhabitants the scale of Beverly Hills, and a fraction of Beverly Hills’ wealth, produces a monthlong main arts pageant that boasts a price range of $31 million and attracts greater than 250,000 guests in July and August. The wonderful Vienna Symphony is the resident orchestra. Together with standard symphony and chamber music live shows, a little bit of dance and theater is thrown in. The pageant additional hosts multimedia tasks, lakeside tango, youngsters’s applications and different miscellany occasions.
However opera is the principle draw. A uncared for main opera is revived every summer season within the good-looking, acoustically vibrant Festspielhaus Bregenz. This 12 months it’s a good manufacturing of George Enescu’s epic “Oedipe.” The impossibly large draw, although, and the one that draws four-fifths of the pageant’s viewers, is an opera on the Seebühne. This gigantic stage is constructed immediately on the lake and meant for spectacular units. Bleachers accommodate an viewers of seven,000.
This 12 months’s “Die Freischütz,” Carl Maria von Weber’s early nineteenth century opera a couple of huntsman who makes a really dangerous take care of the satan for a magic bullet, opened final week and runs via Aug. 17. All 27 performances are anticipated to promote out as common for the sort of spectacle that exists nowhere else. A whimsical set of creepy, gothic marvel supplies actual property for the useless to rise from their graves, for circusy aerial particular results, for intrepid singers to cavort out and in of the water, for nymphets in bespangled bathing fits to splash about, for a fire-breathing dragon to behave Godzilla-like and for a lightweight present to be projected on an unlimited moon. Las Vegas, eat your coronary heart out.
Austrian director Philipp Stölzl’s flamboyant manufacturing could not take Weber’s opera altogether significantly, however Austrians take going to the opera very significantly. The opera is carried out with out intermission. There is no such thing as a picnicking or refreshments. The present, a bit over two hours, begins at sundown, which is 9:15 p.m. in July. It could be later if it rains, and it usually does. No umbrellas. If crucial, the efficiency strikes indoors, semi-staged, for individuals who maintain higher-priced seats (the vary is from round $30 to $500).
It didn’t rain opening evening, though an earlier forecast warned it would. However it was chilly, which hardly stopped the fancier crowd dressing formally and toughing it out.
Exterior of Germany, “Freischütz,” which had a serious affect on Wagner and German opera, has misplaced its reputation. Even in Germany, the one manufacturing that has helped hold the opera important is Achim Freyer‘s sensationally surreal 1980 staging at Stuttgart Opera, and it still remains in the company’s repertory. Freyer, in fact, is remembered for L.A. Opera’s 2010 “Ring” cycle, not, alas, nonetheless in our repertory.
However, Stölzl’s manufacturing, which premiered final 12 months (every manufacturing on the Seebühne is given over two summers) and could be streamed, already feels stale in its goth ghoulishness. The satan, Samuel, turns into right here a creepy wise-cracking narrator. The hunter, Max, is a clerk. His fiancée, whom he by accident kills with the satan’s bullet, appears extra keen on her maid than the clerk. The wintery set is a zombie-infested village that had been destroyed within the Thirty Years’ Battle.
Someway, although, the singers (there are a number of casts and conductors over the summer season) handle to impress as they tromp out and in of a presumably frigid lake. What impressed way more was how good they sounded. There have been no giant audio system seen, and the orchestra stays contained in the theater. But amplification proved beguiling. Directionality of the singers was true to life. There have been many startlingly lifelike sound results, together with thunder off within the distance that fooled me into fretting that I had not come ready for a thunderstorm.
Paul Homosexual, middle, as Oedipus within the Bregenz Competition manufacturing of Enescu’s “Oedipe” within the Festspielhaus.
(Daniel Ammann / Bregenz Competition)
The attractive, stately manufacturing of “Oedipe,” which follows Oedipus from beginning to his closing years, couldn’t have been extra totally different. Any commentary you choose up is definite to explain this French opera by a Romanian composer, which Enescu labored on for 1 / 4 century earlier than finishing in 1931, as one among biggest operas of the twentieth century. The premiere in 1936 in Paris was a triumph, however the work remained inexplicably little seen outdoors of Bucharest, the place it was carried out, to not the composer’s liking, in Romanian.
I didn’t see any L.A. caps or T-shirts within the Festspielhaus for the primary of the three “Oedipe” performances, however a local Angeleno conductor, Lawrence Foster, is chargeable for the primary main revival of the opera. Foster, who was a daily conductor at Music Heart Opera (now L.A. Opera) in its early years, made the primary main recording of “Oedipe” in Monte Carlo with an all-star solid, giving the opera widespread consideration.
Even so, “Oedipe” has remained little mounted, and maybe Andreas Kriegenburg’s incandescent Bregenz manufacturing shall be what it lastly takes to revive “Oedipe” for actual. It simply so occurred that it was Kent Nagano, shortly after he resigned as music director of L.A. Opera in 2006 to go Bavarian State Opera in Munich, who enticed Kriegenburg, a famous Berlin theater director, to strive his hand at opera with a celebrated manufacturing of “Wozzeck.” A miraculous Kriegenburg manufacturing of Wagner’s “Ring” adopted through which characters and the refrain grew to become the surroundings.
Kriegenburg has completed that once more, pitting Oedipus, the person, towards a world, within the type of a refrain, that was towards him from the beginning, foreordained as he was by the gods to kill his father and marry his mom. The revelation of Enescu’s opera is each the depth with which Oedipus tries to be a helpful member of society, and the way, after having paid his penance as a blind previous beggar with solely his daughter as companion, finds salvation via enlightenment.
Enescu’s rating weaves East and West, the archaic and the trendy, with the traditional Greek supply of the parable turned Eastward. Within the course of, the cosmopolitan modernist composer connects seemingly modernist gadgets like microtones to their historic roots.
Hannu Lintu conducts right here with excessive readability of objective, each element value noting. The massive solid, headed by Paul Homosexual as a commanding Oedipus, excels, whereas the good Prague Philharmonic Choir places the total scope of the drama in perspective. Ultimately, although, Lintu’s clearheadedness and Homosexual’s visceral energy lack the suspension of actuality wanted for the religious elevation of Oedipus’ redemption, which is painfully drawn out — considerably lengthening an already lengthy and difficult work.
Nonetheless, this manufacturing finds the sublimity in our submission to destiny, no matter that could be. The Bregenz Competition’s destiny, it has simply realized, is that its authorities funding for subsequent summer season shall be foolishly reduce by 30%, round $3 million.
The sublimity of this “Oedipe” is fateful because of the pageant’s probing new creative director, Finnish mezzo-soprano Lilli Paasikivi. Her first Seebühne manufacturing shall be “La Traviata” subsequent summer season. She could should be frugal, however the pageant has many company sponsors, Mercedes-Benz, Coca-Cola and Leica Digicam amongst them, together with its huge crowd of ticket patrons.
However, L.A.-sporting of us in Bregenz ought to perhaps watch out what they want for. The cutback in federal funding for the humanities in Austria sounds slightly too near residence.
