One thing about Okay-pop at all times captivated Kiera Grace Madder. The 17-year-old singer has been a fan of the synchronized choreography, fashion-forward outfits and distinctive sound popping out of South Korea for so long as she may bear in mind.
So in 2022, when she discovered JYP Leisure, one of many greatest Okay-pop expertise companies, had plans to make a bunch with North American-based expertise, she jumped on the alternative. She auditioned for a actuality present and earned her place in an all-girl group known as VCHA, with 5 different teenagers.
However final summer time, lower than a 12 months after formally debuting, the group pulled out of Lollapalooza and almost went radio silent on social media. In a lawsuit filed final December in opposition to JYP USA in L.A. County Superior Court docket, Madder, who goes by the stage identify KG Crown, revealed she had left VCHA and alleged youngster labor regulation violations, abuse and exploitation.
“I knew the K-pop system was very hardworking — probably one of the most hardworking systems in the music industry,” Madder advised The Instances. “I’m a hard worker, so I was willing to put in any hard work, but I did not know about what can go on behind closed doors.”
JYP USA issued an announcement on social media when the lawsuit was filed, claiming Madder had made “unilateral public statements containing false and exaggerated claims.”
The company declined to remark additional in response to questions from The Instances, citing the “ongoing legal matter.”
Madder, recognized as “K.M.” within the courtroom paperwork, stated she signed her contract with JYP at age 15.
VCHA started an intense coaching routine, touring between JYP’s Seoul headquarters and Los Angeles to rehearse. In L.A., the six ladies shared a $2.5-million Beverly Hills mansion, the place Madder alleges they have been underneath fixed surveillance. Based on the lawsuit, staying within the residence was “optional,” however Madder stated she felt pressured to dwell there by the JYP workers.
Along with a live-in staffer who monitored the ladies, Madder says video cameras watched and recorded their personal conversations. The lawsuit claims the corporate offered the cameras as part of the “house’s alarm system” after they have been put in.
Based on Madder’s lawsuit, the surveillance system was a “tool aimed at controlling our eating, movements, and behavior.”
If Madder is ready to get launched from her contract with JYP, she stated, she’s going to come again as a solo artist when she feels “better mentally.”
JYP allegedly maintained full management over the trainees’ schedules, even on days off. As a way to depart the house, the group members needed to submit their plans forward of time and get approval, Madder’s go well with alleges. She says she even needed to ask permission to see her mom on the weekends.
“I honestly felt like it was a prison and the house staff was the prison guard,” Madder stated. “I felt like JYP had become my parent, but the strictest parent I ever lived with.”
Madder’s lawsuit alleges the corporate “controlled [her] diet and pressured [her] to eat less.” Their meals have been “restricted to small salads,” she alleged, and their weight was monitored.
“The skinnier you are, the more respected and prettier you’re viewed. It’s ridiculous,” Madder stated. “At times, in South Korea, they would tell us, ‘Lose weight or you’re going to regret the way you look on camera.’”
In coaching for performances, JYP allegedly pushed the VCHA ladies to their bodily limits. Within the lawsuit, Madder remembers being denied meal breaks and water throughout rehearsal, and alleges she was compelled to work lengthy days on little sleep. As recounted within the lawsuit, Madder’s days would usually start at 7 a.m. with just a few hours of college, adopted by rehearsals that began at 10:30 a.m. and went into the late hours of the evening.
Madder alleges there have been a number of cases wherein she needed to proceed coaching after struggling accidents. The lawsuit describes a dance teacher who “singled” Madder out, making her repeat a transfer greater than 100 occasions with out stopping for a break, which allegedly triggered a tendon tear in her shoulder.
“I had tears in my eyes and was very stressed,” she recalled. “It’s one of those situations where you don’t have to escalate it to the point of abuse.”
She was additionally compelled to rehearse regardless of struggling accidents to her hip and leg, her lawsuit claims. The courtroom filings embody photographs of her in hospital robes and receipts for medical therapies, together with pictures of bruises that she stated she sustained throughout dance coaching. Screenshots of textual content messages included within the lawsuit present that Madder described being compelled to “dance thru the pain.”
In one other textual content dialog from final Could included within the go well with, she wrote, “Honestly I feel like I don’t [have] a personality anymore or am my own person. They changed me and I lost all my good.”
Based on the lawsuit, Madder began to overlook faculty because the stress from coaching piled up. She says different members of the group developed consuming issues, engaged in self-harm and, in February of final 12 months, one among them tried suicide.
Madder stated she has not spoken to fellow VCHA members since her departure from the group in Could 2024.
Madder accuses JYP of underpaying her and failing to ship promised royalties and a share of the income from the group. The lawsuit alleges she obtained $500 throughout weeks wherein she labored over 12-hour days, which falls beneath California’s minimal wage.
Madder’s lawsuit additionally says she is saddled with greater than $500,000 in debt to JYP for “company expenses.”
She alleges in her lawsuit that she was “forced to sign contracts while being given only a few minutes to review them,” together with ones that have been written in Korean, a language Madder doesn’t communicate.
Her mom, Tracey Madder, stated in an announcement to The Instances that submitting the lawsuit “was 100 percent KG’s decision, which I fully support due to the circumstances she experienced.”
“I am hopeful for the best possible outcome for all parties involved,” she stated.
The youthful Madder stated she hasn’t been capable of work, launch music or submit on social media since leaving VCHA.
When she first received residence after leaving the JYP mansion, she says, she felt “brainwashed” and like she “would never be able to make it in the music industry again.”
The following courtroom listening to in her lawsuit is about for June 20.
“I’m praying that the judge can see the light in the situation and let me go,” Madder stated. “I don’t want clout. I don’t want attention. I want to be free. That’s what I want — freedom.”
