Jill Sobule, the singer and songwriter whose 1995 hit “I Kissed a Girl” was the uncommon pop track of that period to take an brazenly queer theme into the cultural mainstream, died Thursday. She was 66.
Her demise was introduced by her spokesman, David Elkin, who stated she died in a home hearth within the Minneapolis suburb of Woodbury. Sobule had been on tour and was scheduled to play a hometown live performance Friday evening in Denver.
With a pointy wit and a playwright’s dramatic sense, Sobule wrote about characters squaring their inner lives with the way in which the world views them, and he or she had a aptitude for vividly drawn scenes through which folks make discoveries about themselves.
“I Kissed a Girl,” which places a bouncy folk-pop groove beneath Sobule’s calmly raspy vocal, opens with two mates hanging out one evening as they evaluate notes on their disappointing boyfriends. Quickly they’re ingesting and smoking and the narrator’s pal takes off her overcoat. Sobule, who recognized as bisexual, sings:
She referred to as residence to say she’d be late
He stated he’d nervous however now he’d really feel protected
I’m glad you’re along with your girlfriend
Inform her hello for me
After which I checked out you
You had guilt in your eyes
However it solely lasted a short while
After which I felt your hand above my knee
“I Kissed a Girl,” which got here out because the lead single from Sobule’s self-titled 1995 LP, reached the highest 20 of Billboard’s different radio chart and peaked at No. 67 on the all-genre Sizzling 100; the track’s music video, starring the mannequin Fabio as one of many crummy boyfriends, was nominated for 2 prizes at MTV’s Video Music Awards. Sobule’s self-titled album additionally spawned the punky “Supermodel,” which was featured on the soundtrack of that 12 months’s hit “Clueless” film.
Sobule was a part of a mid-’90s cohort of intelligent songwriters that included Juliana Hatfield, Lisa Loeb and Liz Phair, whose success could possibly be seen as a response to the gloomy, male-dominated grunge craze of some years earlier. But Sobule acknowledged the persistent sexism that adopted her and her friends onto tv and the covers of magazines.
“I love the way they try to pit us against each other — like it’s ‘Dynasty’ and we’re gonna get in a Joan Collins/Linda Evans fight,” she joked to The Instances in 1995. “Me and Sheryl Crow, going at it!”
Sobule was born in Denver in 1959 and performed guitar in her highschool jazz band. Learning overseas whereas in school, she was noticed by a nightclub proprietor as she and a pal carried out on the road in Madrid; he invited them to play his membership, and he or she dropped out of faculty a month later.
In 1990, Sobule made a debut album with Todd Rundgren for MCA Information that went nowhere regardless of loads of important reward. (Writing in The Instances, Chris Willman referred to as it “as accomplished a debut as you’ll hear this year.”) MCA dropped her earlier than releasing a second LP she’d made with Joe Jackson.
“It was a really hard time in my life,” Sobule advised The Instances in 1995. “I mean, I had no other skills, aside from having studied political science.”
Atlantic signed her for “Jill Sobule” then launched its 1997 follow-up, “Happy Town,” which did not yield one other pop hit.
But Sobule continued to report and carry out, and he or she established a profession in tv that included the theme track for Nickelodeon’s “Unfabulous.” In 2009 she printed a bit on the Huffington Put up through which she defined tongue-in-cheek remarks she’d made in an earlier interview about Katy Perry, who’d topped the Sizzling 100 the earlier 12 months with a distinct track referred to as “I Kissed a Girl.”
“I may be a touch cynical about the business, but I have never really been angry or had ill feelings towards Katy herself,” she wrote. “I was actually in a small way happy to not be the ‘Kissed a Girl’ girl anymore.”
For her 2014 album, “Dottie’s Charms,” Sobule wrote songs to lyrics she commissioned from writers corresponding to Jonathan Lethem, David Hajdu and Vendela Vida.
“I’m an older woman who’s not going to have a shiny pop song ever again, so that gives me license to do whatever the hell I want,” she advised the New York Instances with amusing.
Sobule’s most up-to-date venture was an autobiographical coming-of-age musical referred to as “F*ck7thGrade” whose authentic forged recording is due for launch in June. Her survivors embrace a brother and a number of other nephews.
