Rising up, Melanie Scrofano had a tough time referring to different youngsters — particularly different ladies. And although she felt like she was ready to slot in with the boys for some time, it was a section that additionally ultimately ended.
“It was just a lonely existence,” the actor says throughout a latest Zoom name, “which I think was a gift. Because as I got older, I [realized] your female peers are your superpower, and I really started trying to cultivate those relationships.”
These days, Scrofano is finest recognized for work on TV that heart such bonds between girls. She says experiencing simply how particular the connection between sisters may be throughout her time on “Wynonna Earp” — a supernatural western about fiercely loving your loved ones — made it one thing she’s drawn to in tasks.
“I think I crave those relationships because there’s a safety in them that I never found when I was younger,” says Scrofano, who emphasizes that it helps that she’s been “spoiled” by her castmates. “Yes, I’ve gravitated to those stories, but partly, it’s fate and luck that these people who make it so easy to fall in love with them fall into my lap.”
Her newest sequence, “Revival,” which premiered final week on Syfy (the primary episode will hit Peacock on Thursday), can be anchored by the connection between two sisters. Created by Aaron B. Koontz and Luke Boyce, the supernatural thriller revolves round a small Wisconsin city the place someday, individuals who have not too long ago died out of the blue come again to life. The present is predicated on the comedian guide sequence by Tim Seeley and Mike Norton.
Melanie Scrofano’s Dana Cypress together with her father, Wayne (David James Elliott), in “Revival.”
(Naomi Peters / Lavivier Productions / Syfy)
Scrofano stars as Dana Cypress, a single mom and native police officer who is solely attempting to offer for her child. Audiences first meet Dana as she is packing up her home to chase a brand new alternative away from her hometown.
“It’s a small town, [and] once people have decided who you are, that’s who you are,” says Scrofano, who additionally serves as an government producer on the sequence. “[But] Dana knows she can be more. … So she wants to get out of there and fulfill the promise she knows that she has in herself.”
Sadly, the sudden resurrection of the city’s not too long ago deceased derails Dana’s plans. The sequence follows Dana as she investigates the scenario across the no-longer-dead, dubbed “revivers” within the present’s parlance, in addition to different (probably associated) crimes. She’s additionally navigating a strained relationship together with her father and a budding romance whereas attempting to reconnect together with her estranged youthful sister.
What struck Scrofano concerning the character is that she shouldn’t be outlined by her job or anyone particular function.
“She [feels] like a real human being,” Scrofano says of Dana. “She’s simply a woman trying to exist and achieve her dreams in a way that is feeling impossible, and there’s nothing more human than that.”
The revivers, Scrofano explains, are additionally human — actual individuals who seem to have returned simply as they had been earlier than they died, somewhat than as undead zombie-like monsters — not less than for probably the most half. However a lot of the world now not sees them that manner, and views differ on how the revivers needs to be handled.
“The rules [that apply to them] have changed, even though they have not,” Scrofano says. “So as a metaphor for how we treat people who are different than us, I was really compelled by that. How do you fight for what’s right when you don’t fully understand what’s going on, but in your heart, you know we need to stand by these people?”
Dana’s sister Em (Romy Weltman), proper, confronting Arlene Stankiewiscz (Nicky Guadagni) in “Revival.”
(Naomi Peters / Lavivier Productions / Syfy)
Though the present is about in 2006 — as evidenced by all people’s flip telephones — the themes it touches have turn into well timed. Whereas the revivers are extra a common metaphor for many who are deemed “other,” the present arrives at a second when immigrants and their standing within the U.S. have been challenged by the federal authorities ostensibly for public security causes, resulting in individuals being focused for what they seem like. (Scrofano was interviewed earlier than the latest immigration raids and unrest in Los Angeles.)
Additionally topical is how the ideological rift between Dana and her father, city sherriff Wayne Cypress (David James Elliott), is a supply of stress. They maintain differing views relating to their obligation in addition to attitudes in direction of revivers.
“So many families right now I find are quite divided because of what’s going on in the world,” Scrofano says. “I love the story of a fight to find common ground between them. … They’re forced to find it … and that gives me hope that it could inspire people who might be in those divisions to try to find their way back to each other in a way that feels respected and fulfilling for both sides.”
The sequence touches on related themes by way of its supernatural allegory, however “Revival” tells a couple of story. As Scrofano describes, “it’s got horror, it’s got comedy, it’s got family, it’s got paranormal [and] it’s got true crime.”
Dana’s relationship together with her youthful sister Em (Romy Weltman) checks off just a few of these bins.
Em was born with osteogenesis imperfecta, also referred to as brittle bone illness, so her household has handled her delicately her whole life.
“Growing up, we were all very protective of her,” Scrofano says of her character’s household. “Much in the way that Dana is defined and can’t escape the definition of who she is, Em has the same burden. There’s a distance there that happened because Dana couldn’t get close … because all of her life [her] dad would have said, ‘Don’t touch. Be careful.’ ”
The sisters grew distant a while previous to the start of the present, however the mysterious occasions occurring of their city convey them again into one another’s orbit. They attempt to reconnect, discussing how a lot the sisters can and can contact due to Em’s situation.
“We’re rediscovering our relationship in this new way,” says Scrofano. “Because of what she’s gone through, it frees her from certain things and frees us to be able to bond in a way that we couldn’t previously.”
Scrofano calls Weltman, who portrays Em, “a blessing.”
“Romy is one of the most thoughtful, considerate, compassionate people I’ve ever met, and she’s wise beyond her years,” she says.
Scrofano acknowledges that there are some similarities between “Revival” and the present she is finest recognized for: “Wynonna Earp,” on which she performed the eponymous, initially reluctant demon hunter. The Syfy sequence premiered in 2016 and gained a loyal following over its four-season run. A particular, “Wynonna Earp: Vengeance,” was launched on Tubi final 12 months.
Dana (Melanie Scrofano) and a reviver in “Revival.”
(Mathieu Savidant / Lavivier Productions / Syfy)
Each are supernatural exhibits that includes a gaggle of reanimated useless of us and a central relationship between sisters. Scrofano admits that she felt some stress to verify Dana and Wynonna had been separate sufficient that the previous didn’t really feel like a spinoff of the latter, since “ ‘Wynonna’ is such a special thing.”
She even jokes about avoiding the phrase “curse” when discussing “Revival” simply to keep up the space between the 2 exhibits, however she additionally makes it clear that the similarities solely go to this point.
“I’m not going to try to convince people there isn’t … an obvious parallel, but that’s kind of where it ends,” Scrofano says. She does share one much less apparent connection between the 2 exhibits, explaining it was “Wynonna Earp” writer-producer Noelle Carbonewho initially reached out to her concerning the “Revival” function.
That Scrofano is a bit protecting of “Wynonna Earp” is comprehensible. The forged and crew have spoken typically concerning the present’s fiercely loyal and compassionate fanbase over time. The present additionally helped kick off Scrofano’s writing and directing profession.
“‘Wynonna’ opened so many doors creatively,” Scrofano says. “Because it’s opened so many doors, I don’t feel the pressure of [having] to escape some mold that Wynonna has created or that I’ve created for myself through her.”
In a dialog that detours by way of jokes concerning the composition of turduckens, nostalgia concerning the state of denims worn throughout the aughts and evaluating the background decor seen in every of our Zoom home windows, Scrofano is most engaged when discussing storytelling.
She shares how as a toddler rising up with nervousness, fascinated with “Married… With Children” episodes was the a method she was in a position to settle her thoughts. Figuring out with “Buffy the Vampire Slayer” led her to start out martial arts. She additionally has deep love for “Spaceballs, “ Weird Science” and “Labyrinth.”
And what Scrofano loves about her job and exhibits like “Revival” is that they offer individuals a possibility to “search for answers through these stories” and characters to foster empathy and understanding towards others.
“By doing what we do, we hopefully can empower people to at least tolerate each other a little bit better,” Scrofano says.
